Love-Struck: We, The Authored Volume II

A barista shoots me glances of confusion while I slump over my laptop and coffee-stained notebook. I squeal like a teen girl at a boyband concert while rereading conversations between my book couples. I’m the author of their story, yet I delight in each sentence of their journey. Why? There must be a reason for this insane, geeky reaction, a connection to someone greater than me and my fictional stories.

Over the past five years of having my books on shelves, I have learned people crave stories with romance. Some of my friends won’t read a book or watch a movie unless there is a prominent love interest. What gives us this need? Why do we hunger for hope in someone else’s happy ending?

Books hold incredible romances, but our love story began at the cross where the Prince of Peace, Son of the Living God, sacrificed Himself in a wild, unrestrained, indescribable gesture of desire. Love-struck and infatuated with us, He did the one thing others have written into their stories for millenniums. He demonstrated love in its purest form.

“But God shows His love for us in that while we were still sinners, Christ died for us.”

– Romans 5:8

Before documentation of Jesus Christ, there isn’t a recorded case of sacrifice in the name of love, so why has society accepted the selfless giving of one’s own self as the most extreme expression of care?

We, the authored, radiate with our Creator.

Our hearts ache and break for a cinematic meet cute; boy and girl make eye contact from opposite sides of the room—maybe they sit next to each other, begin an awkward first conversation—and they fall in love. Easy. Fast. Straightforward.

We want to be able to fit a love story into a few chapters or a two hour movie because for the duration of our lives, we’ve been taught by the media that love happens fast and concludes with a couple lounging on a park bench, hopelessly enthralled with each other as the camera zooms out or the final paragraph comes to a sweet conclusion. Although we all have a victorious ending in Christ, our stories read different. They’re each beautiful and captivating in their own way, but their plot graphs differ in rising action and climax.

I met a dear friend for coffee a few days ago. As we sipped our fancy Cubans, she reminded me of a truth that has stuck with me—Love may start with sparks, but it comes softly with time.

God delights in our love stories more than we could ever “fan girl” over book characters and their climactic, romantic breakthroughs. He is writing our love interests into existence, smiling as we move toward each other. He reveals His own love for us as we grapple with the uncertainty and fear of opening our hearts. Softly—a word saturated with the deep richness of all beauty and excitement that is to come through our intimate relationship with the Author.

Time is irrelevant to God. In fact, He uses time as a buffer between plot points, a suspense-builder and a catalyst to merge His glory into the romance. He manifests Himself when the story reaches a prime moment, when the unfolding beams with evidence of His inspiration. As heroes and heroines in the God-authored saga, we must ask Him to sync our souls with His will for our stories and be confident in all that is to come because . . . it will come . . . in forms we may or may not expect.

Uniting the threads between writing and resting in God’s composition is the simple truth: Without the author, there cannot be a love story. Relationships in books require the author’s inspiration and the characters’ willingness to subject their independent nature to reliance on the author’s care for them. Three entities. Three lovers. One story.

Genesis 24 holds the love story that has haunted my mind for months. I often feel like Rebekah, carrying my jug of water to the spring, waiting for God to choose me for His Isaac. I have been like Abraham’s servant, asked for signs, watched closely to “learn whether or not the Lord had made (my) journey successful.”

Hearts cry out with joy when the Lord taps His podium, raises His conductor’s baton and signals destiny to erupt in a symphonic celebration. The audience sighs when the story unravels at the pristine instance, when both characters mature to perfection and merge lives. They clutch their mouths when Rebekah appears on the horizon, clothed in her wedding garb. They weep as Isaac moves across the field, captivated by her. They cheer as the Author unites both characters in a scene of desert breezes, canvas tents and ordained lovers standing face-to-face, hand-in-hand.

Crafting a romance between pages or on a screen is nothing more than an allegorical representation of our lives with Christ Jesus. When we write books, we reflect what God is doing with us, the craving He has for our attention and faith. Write with this fact in mind, know that perfect love takes three entities and Jesus-inspired sacrifices.

Our desire for a meet cute is the echo of need we have for a romance with our Writer. Once we’ve synced ourselves with His cinematic story, we melt in the sheer wonder that comes from His anointed plotline because . . .

We, the authored, are love-struck.

A Gifted Note: Pursuing Music as His Steward (SAMPLE)

Purpose is an innate desire within us and inflicts more questions than any other element of human nature. It drives us to ask, “Why am I here? Does my life matter? What are my talents? How can I be used by God?”

First and foremost, purpose is found in Jesus Christ alone, but as children of God, we have been entrusted with gifts to use in His name, to glorify and project Him to the world. These gifts, when developed with the right intentions, have the power to transform culture, society and ultimately, be tools of evangelism. Jesus expounded on the importance of being good stewards of God-given gifts in the Parable of the Talents, found in Matthew 25.

Gifts can be any physical or emotional actions expressed with above-average ability—this broad definition includes music and art talent, a desire to serve others, an intimate connection with God through prayer, etc. Recognizing your gifts is the first step to becoming a good steward of God’s talents and taking ownership of the power, the unfair favor willed to you through salvation.

Like a flame hidden behind a bushel, a gift not applied is useless. Galatians 6:4-5 says, “Make a careful exploration of who you are and the work you have given, and then sink yourself into that. Don’t be impressed with yourself. Don’t compare yourself with others. Each of you must take responsibility for doing the creative best you can with your own life.”

Writing is the gift God has handed to me, and I strive each day to use it as a tool to magnify His light and love. However, music has established itself within my life as a limitless beacon. I live in Nashville, work as a publicist for a recording artist and compose songs with friends from My Local, a young adult ministry organization. Music absorbs my God-given gift and shines it in a different format, a revised medium.

To those with a passion for music, take heart. There are countless ways to serve God with your talent. Music is universal. It affects anyone with the ability to hear. In contrast, if you feel God leading you to pursue music as a career, you have an extensive journey before you. The music industry is a congested business. To reach an audience and generate a sustaining income, one must have determination, a “thick skin,” networking ability and the Lord’s blessing.

Nothing is impossible with God.

When I first met with my client to discuss her public relations plan, we went through several steps to establish who she was going to be as an artist and strategize ways to broaden her audience. The following steps will help you become a better steward of your gifts . . .

(Read more in the April 2017 digital issue of Pursue Magazine)

9 Steps to Creating a High-Quality Book Trailer with a Low Price Tag

It is extremely possible to create a high-quality book trailer with a low price tag. Many authors are intimidated by the task, mainly because they are afraid of the financial investment and workload.

Over the course of the past few months, I have worked to produce a book trailer for The Prime Way Program: Be the Victor. Overall, I spent around $300 to produce a full-length, cinematic book trailer with a full cast and crew. We filmed for fourteen hours, in six locations.

In this post, I will share the 9 Steps to Creating a High-Quality Book Trailer with a Low Price Tag. I’ve implemented all of these steps while being a full-time college student, author, and Harper Collins intern.

No matter your schedule, you can produce a professional trailer for your book.

1.    Purpose

Decide how you plan to use the trailer and then, decide the format. If you plan to use the trailer at tradeshows and book-signing, a word-focused format might be best. However, if you plan to use it for a social media campaign, consider a more cinematic approach.

A few years ago, I hired a videographer to create a book trailer for my speaking engagements.

It was a simple trailer that incorporated text, images, and music to portray the overall plot of my book. Because I plan to rebrand my trilogy and begin a social media advertising campaign, I produced a cinematic trailer to capture my audience.

2.    Write A Screenplay

To those who do not know how to structure a screenplay, this may seem like a daunting task. Begin by choosing the book scenes that most effectively show the plot arch. Ask readers which scenes they remember best. Pick key moments and translate into a script. Minimize dialogue to the maximum of one line per character and instead focus on movement. Also, refer to other screenplays for examples. Research will provide you with the information to properly format and word the screenplay.

3.    Research and Edit

What makes a good trailer is a researched, edited screenplay. Watch other book and film trailers to gain a more intelligible perspective of plot arches. Once you’ve drafted a screenplay, have a variety of people read and review your script and then, make a list of all you will need, costumes, cast members, equipment, number of crew members, etc.

4.    Visionary Crew

Find a key group of people to help you develop your vision for the trailer—I cannot stress enough the importance of this. You want a crew that understands the purpose of your project and are more focused on portfolio building rather than making a profit from the trailer. Of all the people you require for the project, your director is the most vital.

Tyler Traeger, a dear friend of mine and the director of The Prime Way Program book trailer, worked with me to finalize the script and film times. Because of his involvement in the creative process, I trusted his judgment during filming.

5.    Cast

Casting is the step with the longest timeframe since you will be looking for actors willing to work for free. Give yourself enough time to find the perfect cast. Stalking on social media is acceptable for this. Ask around.

I found my cast at school and a rock-climbing gym.

6.    Costuming/Supplies

Goodwill is your best friend. Do not be afraid to ask your cast if they have certain costume pieces. Also, use your own clothes and props.

7.    Locations

Go location scouting and be willing to compromise original vision to fit overall filming process. Look at what you have and see what can be altered to match the screenplay.

8.    Logistics

Logistics and good communication must be your number-one priority. Make a detailed schedule of your filming process and delegate jobs so you can be focused on the filming rather than trying to fill every role. Also, if you have a cast who are offering their time for free, gift them with food, drinks, and thank you presents. Keep the atmosphere positive and encouraging!

9.    Portray Vision

Throughout the filming process, ensure that the cast and crew understand what they’re working to capture, but do this is an affirming manner. And trust the director! Those handling the cameras know what looks good on film.

After working so hard to put together a trailer for your book, show it off! Be like a mom with a newborn baby—post your trailer everywhere.

Many thanks to . . .

Videographers: Tyler Traeger and Christi Deurksen

Actors: Nathan Queen, Leah Sykes, Richard Sowienski, Cristopher Stayton, and Trevor Lovingood

Extras/Crew: Emily Autrey, Elise Boling, Marguerite Baldes, Claudia George, Julie George, Rachel Martin, Palmer Hooks, Peter Atkins, and Parker Anderson

What Agents Don’t Tell You: From Query to Contract

 Have you written a book?

Are you looking for an agent?

As a two-time self-published author now signed with Hartline Literary Agency and past intern of Harper Collins, I have experienced the pros and cons of both traditional and nontraditional publishing.

In this blog post, I will share what agents don’t tell you and offer tips on how to land a contract with an agency.

Agents are the real-estate agents of publishing, acting as the “middle-men” between sellers and buyers, authors and publishers. They add credibility to manuscripts, reducing publishers’ slush piles to a few thousand proposals.

The best ways to land an agent:

Since the emergence of literary agencies, there has been a standard process for querying. Writers send their pitch letters, sometimes the first few pages of their manuscript, to agents and wait up to six-months for a response. If an agent is interested, the author then sends more of the manuscript. This process continues until the interested agent reads the whole book and offers a contract.

Pros of the system: Agents are able to weed out books that aren’t ready for the market, and authors have the ability to query as many agents as desired.

Cons of the system: Many queries and manuscripts are left in an agent’s slush pile, some never to be examined. Those reviewed are strictly analyzed and refused if the structure, word count, etc. are less than optimal. This denies writers the chance to fully present their writing and the marketability of their work.

With such a systematic process in place, how can writers raise their chances of landing agents?

Conferences offer a unique opportunity for writers to have face-to-face interaction with agents and other professionals within the publishing industry. Often, writers are able to schedule time with the faculty to pitch their books. Agents can then put a face to a query letter and are more likely to select the book for representation.

Secret . . .

The key to a successful pitch isn’t scheduling time with an agent and delivering a top-notch hook; it is the connection fused between the writer and the agent.

Tip . . .

When you attend a writers’ conference, focus on genuine relationship building. Connect with other writers and publishing professionals. This will allow you to show your marketability, your book’s overall potential, and most importantly, give you the chance to learn. Ask questions. Listen to what others have to say. Apply the advice presented to you.

By networking, you unlock the second and most secret way to landing an agent.

Word-of-Mouth is a method rarely mentioned by agents but has proven the most successful for me. I pitched at a writers’ conference in New York City and queried over a hundred agents, but I didn’t land a contract with an agency until my close friend, who I met by inquiring about a book review, referred me to her boss/agent. Because of her recommendation, my query was raised to the top of the slush pile and given more notice.

Remember: Who you know is everything.

Build your platform. Befriend others who are more and less experienced. You never know which conversation over a cup of coffee will gift an opportunity.

How to make yourself more appealing to agents:

Professionalism is candy to an agent. When you query, send a proposal, and generally communicate, make sure to be well-informed and respectful. Nothing is more of a turn-off than a sloppy proposal and a nagging, ignorant author.

Do your research—everything you need to know about the submission process can be found online. Edit your work, even your emails. And please, be educated on the publishing industry and current marketplace.

Tips . . .

An agent’s job is to shop your book to publishers, making them your business partner, not your teacher, editor, and confidant. Respect their time and workload, and they will respect you.

Platform is number-one priority to publishers, which gives it extreme importance to agents. Books are a dime-a-dozen, so make your book more than a book. Give it backing. Create a brand for yourself by blogging, being active on social media, etc. And formulate a viable, creative marketing plan for your book.

To express your dreams, you must first express yourself. Readers are more likely to buy a book if they have a connection with the author.

In conclusion, agents and publishers aren’t the formula of a bestselling book, rather they’re the projectors showing your masterpiece on an international screen. You are your book’s greatest advocate. Once you relinquish reliance on the standard system and fight to make your work an asset to the publishing industry, you find your place within it.
Authors, self-published and traditionally-published, are entrepreneurs. Those who treat their writing as a business stand more of a chance at achieving success. 

Announcements:

A Recap of 2015 and a Glimpse at 2016

 

2015 was the most change-filled, rewarding year of my life. During the past twelve months, I had the cover designed for my most recent novel (not an installment of The Prime Way Trilogy), released an EP album on Sound Cloud, graduated from high school, joined author Tessa Emily Hall on a YA book tour, and attended the Writer’s Digest Conference in New York City where I pitched to eight agents. I also moved to Nashville where I began classes at Belmont University, worked as a founding editor for The Belmont Story Review, and reported at the red carpet premiere of Providence.

Many great things happened in 2015, but I have a feeling that 2016 is going to be even more incredible. To make a few announcements….

-        This semester, I’ll be working as a marketing intern for Harper Collins Christian Publishing, specifically their WestBow, Elm Hill, and Author Gateway imprints. I’ve also been offered a part-time publicist position with Faith Flix.

-        The Prime Way Program book 3 will be released Fall 2016. I’m beyond excited about this concluding installment and cannot wait to share it with you.

-        A thematic book trailer for Be The Victor is currently in pre-production and will be released later this year. Unlike the first trailer, it will be scripted and include actors.

-        I’m currently in the querying process for another book, which I plan to traditionally publish.

 

As you can see, a lot is happening. I’m beyond grateful for the opportunities presented and cannot wait to share my experiences with you all.

Thank you for the support, readership, and encouragement.

You made my 2015 great.

 

 

To read an interview I did for Faith Flix Films, click here.

 

 

By: @livia.sketches

 

Waiting for YES

Words of encouragement for those in the midst of rejection.

 

Rejection is blood pumping through the publishing industry’s heart—agents reject authors, publishers reject manuscripts, and stores reject books. Although this is frustrating for writers desiring publication, rejection helps to weed out the “dandelions” from the “roses.” In other words, NO ensures that the best books reach shelves.

Does this mean rejection brands a book as a “dandelion”?

Of course not!

Remember, the publishing industry is based solely on preferences, opinions, and past successes. One agent’s “dandelion” is another’s “rose.”

And let’s be honest; everyone loves to pick a “dandelion” once in a while.

 

 

I am currently in the querying process for my latest book. I’ve sent out close to sixty queries and even though I know the facts, it isn’t easy to check my email and see a rejection letter.

Many of you are in a similar situation. You’re aching for someone to recognize your potential and fall in love with your work. You dream of the day when you’ll check your email and find a YES.

But until that day comes, remember these four things:

1.     It’s not personal.

Agents/Publishers receive hundreds of queries/proposals per week. They have preferences and are looking for ways to cut their slush skyscraper into a manageable pile.

 

2.     Each NO brings you closer to YES.

Crossing an agent or publisher off your list only means you’re approaching a breakthrough.

You can’t find an open “door” until you start knocking.

 

3.     Remember your dream, your passion, and why your book deserves to be read.

It’s easy to become discouraged during the querying process and think of your work as a soulless product to be sold. Fight the urge. Remind yourself why you’re querying, why you decided to write your book, and why it deserves to be read.

 

4.     When the “doors” close, kick one down.

After you’ve extinguished all options, shift your perspective and find new, unconsidered options. Be your own YES. Make your dreams happen.

In publishing, this option is known as self-publishing.

 

 Quoting actor Tom Hanks,

“If it wasn’t hard, everyone would do it. It’s the hard that makes it great.”

 

 

 

Student Vs. Author

Prepare. Pause. Patience.

 

I’m currently sitting at a round table in my campus Starbucks, sipping a hazelnut latte, and watching for my coffeehouse crush to stroll through the main door. I love my college. I love Nashville and the opportunities it offers. I love meeting new people, learning about the publishing industry, going to concerts, and dressing like a hipster without shame or reservation.

Although my social life has gained a needed boost from my move, my writing schedule has experienced a major blow. Not a bullet ricochet; a nuclear bombing. The schedule is so meager it consists only of short fiction-writing assignments for my publishing class, blog posts, and the occasional tweet.

So what am I doing now?

School? Exercising at the gym? Drinking lots of coffee?

Yes. Yes. Yes. And more.

I’ve dedicated this school year to querying agents and building my author platform. As of now, I’ve queried fifty agents and am awaiting responses. YES—that’s the word I need to hear.

My odds seem decent at the moment.

For me, the most difficult aspect of the process has been the wait. I trudge through my day and courses, not working on another book, not organizing author events, just doing my student duties and praying that God will open doors at the right time. I have accomplished what I can accomplish at this point in time. Now I must wait. And waiting is hard. Especially for an overly determined person like me.

 

Since many of you are facing a schedule change, I’d like to offer some advice.

1.      Don’t lose sight of your dream.

It’s easy to shift focus when you’re in a new place, surrounded by new people, but you can’t forget your dream. Never forget.

2.      Remind yourself of that paused part of you.

The dream you’ve placed on hold is a slice of your identity. Forgetting it is like forgetting a part of yourself. Talk about your dream with others. Place a visual reminder somewhere in your room to keep that part of you present.

3.      Take a step forward every day, even if it’s small and seems inconsequential.

Make choices daily that will draw you closer to your goal. Practice your talents. Contact people who might be willing to help you reach your dream. The small steps you make will be what carry you to success.

 

If you are encountering a situation similar to mine, tell me about it!

If you have any questions about the publishing industry, college life, or my coffeehouse crush, email me! I’ll post interesting questions and my answers on this blog.

Also, send me a review of THE PRIME WAY PROGRAM and I’ll send you something in return!

Email: authorcarolinegeorge@gmail.com

 

The Writer's Conference: What Every Writer Needs To Know

The publishing industry is a magic trick.

People like its thrill, excitement, and outcome but they don’t know how the “trick” is performed. Some assume that it just happens—the pretty lady just happens to survive being sawed in half; the wordy document on a writer’s computer just happens to turn into a bestseller. Others believe in the poof—poof, the white rabbit disappears; poof, someone has an agent and a three-book contract with HarperCollins.

I’d like to apologize now for the major spoiler.

JUST HAPPENS AND POOF DO NOT EXIST!

I’ve been a part of the publishing world ever since I self-published my first book at age fifteen—three years ago. At the time, self-publishing wasn’t looked at as a credible publishing venue, which forced me to be my own advocate and publicist. I worked seven hours a day on my books—writing, editing, formatting, and marketing. It didn’t take long for me to learn that JUST HAPPENS and POOF were illusions.

Self-publishing has finally gained the positive reputation it deserves—credible, independent, time-consuming, a task for the relentless and fearless. Countless writers, authors, and professionals have told me that self-publishing is too much work for them, which doesn’t make such sense to me since working with a traditional publisher forces a writer to be dependent on someone else’s calendar and preference.

Stepping off the soapbox…

“Hard work and minimal success” should be the publishing industry’s subtitle. To breakthrough, an author has to query to the right agent, at the right time, have a book that appeals to the current trends, contract with the right publishing house, and pray that booksellers will give their work the time of day. Once a book makes it to shelves, the promotional work begins.

In other words, every aspect of the “equation” has to be flawless for a book to be successful.

Don’t feel discouraged. Although it is difficult to publish, there are ways you can boost your odds.

Last week, I was in New York City attending the Writer’s Digest Conference. My mission was to pitch my latest book to agents. I was successful! Even though it took several nights of freak-outs, a lot of praying, and hours of rehearsal, I managed to present my work to nine literary agents.

My best friend, Tessa Emily Hall (author of Purple Moon), found her publisher at a writer’s conference. Like she informed me, I want to inform you of the benefits of attending a writer’s conference.

The Strand Bookstore (New York City)

 

What is a writer’s conference?

A writer’s conference is an event designed to help writers develop their craft, network, and become aware of the current publishing market.

Why should I spend hundreds of dollars to attend one?

Writer’s conferences present a unique opportunity. They allow you to have face-time with professionals in the industry, learn insider secrets, and also connect with other writers.

Connections determine success! The people you know will decide how far you go.

Invest in yourself. A few hundred dollars might be your “foot in the door.”

What should I consider when choosing a conference?

Are you attending to learn more about the writing craft or to pitch?

If you want to develop your writing ability, attend a conference with a variety of writing-geared lectures and credible speakers.

If you’re in the market for an agent, choose a conference with a good number of visiting agents who represent your genre.

How can I prepare for the pitch?

Finish your book. Don’t pitch unless your work is ready to be sold.

Prepare and practice your pitch. Do this well in advance. You need time to write, practice, revise, and revise again. I changed my pitch ten times before the conference and rewrote it two hours before my pitch session. Be ready for last-minute changes.

Research. Make a list of the agents who represent your genre. Know what they’re seeking. Also, be aware of current book trends and know how your book might fit into the tough marketplace.

 

Below are some tips to help you craft an effective query letter. I’ll post a pitch tutorial vlog next week that will include pitch etiquette, proper format, etcetera.

The Dreaded Query Letter…. (Visit QueryShark.com for more tips)

A query letter is a business letter meant to demonstrate your competence and entice agents to read your pages. Remember, formulating a query isn’t a creative writing assignment. You don’t have to showcase your writing abilities. Queries are supposed to be straightforward.

To an agent, your book is a product, not a piece of art.

 

There are two questions you must answer when writing your query.

1.      Who is your main character?

2.      What does s/he want?

How to convey what the book is about:

1.      The main character must decide whether to________

If s/he decides to do (this), the consequences s/he faces are________

The book’s stakes are of dire importance! I cannot stress this enough. If an agent reads your query and does not believe your main character has anything to lose, s/he will not ask for pages.

 

A query letter should include:

-        Word count

-        Title

-        Any publishing credits you have

 

Instant rejection phrases include:

“Fiction novel…”   DUH!

“Sure bestseller.”

“Oprah.”

“Film potential.”

“Dear agent.” – “Dear Sir or Madam.”

 

DON’T ASK RHETORICAL QUESTIONS!

Proper query format….

Subject: Query – Title by Author

Dear (Name of Agent),

If you met them at a conference, tell them.

First: Answer the question “what is this book about?” Have a line break every three lines.

Second: Your writing credits and bio.

Third: Genre/ Word-count/ Title

Closing: Thanks for your time and consideration.

Your name

Email

Telephone

Website

Blog

Twitter

Facebook

Physical address

 

Newsy Tuesday

Because of my approaching conference, I’m taking a leave of absence from Blogger to focus on final preparations. When you hear from me again, I’ll be in New York City. All of my crazy experiences will be shared on this page—travel tips, awkward moments, mishaps, pictures, everything. But until then, follow me on Twitter @PrimeWayWriter, Instagram @authorcarolinegeorge, or check out my Facebook page. I’ll be posting continuous updates.

Thanks for your support and readership! Below are contest information, a list of upcoming posts, and several reader recommendations.

Future Posts:

·        Welcome To New York

·        The Writer’s Conference: What All Writers Need To Know

·        Three Cheers For Teens

·        The Pitch (Video Blog)

·        Student Vs. Author

For Writers: Check out author Tessa Emily Hall’s Monday Minute Challenge! It’s a wonderful contest that tests your writing skills.

Book Recommendation: WARM BODIES by Isaac Marion

Coffee Of The Day: Chock Full o’ Nuts

CONTEST: Don’t forget about the Social Media Challenge! To enter the contest, post the hashtag #IAmTheVestige on your social media account. Each post will act as an entry. The more you tweet, Instagram, blog, and Facebook #IAmTheVestige, the more times you will be entered into the final drawing. There isn’t an entry limit. Post as much or as little as you want. Just know that the more entries you have, the more likely you are to win the PRIZE PACK!

 

Social Media Challenge

#IAmTheVestige

 

Is your summer book pile diminishing? Would you like a thrilling, genre-bending read without having to sacrifice the cash?

Next week, I will be traveling to New York City to pitch my latest book to agents. I’ve been working nonstop the past few months to prepare for my pitch session. Late nights, rewrites, fit-throwing, queries, synopses, one-sheets—it is all complete.

To celebrate and promote my upcoming trip, I am hosting a social media challenge!

To enter the contest, post the hashtag #IAmTheVestige on your social media account. Each post will act as an entry. The more you tweet, Instagram, blog, and Facebook #IAmTheVestige, the more times you will be entered into the final drawing. There isn’t an entry limit. Post as much or as little as you want! Just know that the more entries you have, the more likely you are to win.

Winner will receive:

·        A signed PRIME WAY PROGRAM book of their choosing

·        A signed PRIME WAY PROGRAM cup and bookmark

·        A personal letter

·        And their social media featured on my blog

Help me generate book buzz and hype! Like, share, comment, post, and don’t forget to use the hashtag #IAmTheVestige.

A minute of your day could win you a free book!

This contest lasts from 7/19-8/3/2015.

The challenge winner will be announced August 4^th.